Sunday, 16 February 2014

Taking the F5 for a quick spin

Henry and I took the F5 out for quick test this afternoon. Henry needed some test footage to work with on the edit programmes and I wanted to get myself familiar with then the camera itself. Handily, although the F5 is more technically complicated, it is more or less just like any other camera I have worked with. The main difference is the manual setting of the white balance, which is no bad thing as it gives us more control over the image as making us more attentive to it's final colour.
With the ISO generally starting at 2000 lack of light probably won't be too much of an issue, we may even need to use the ND filters in order to create the image we want.
Overall the camera is exactly what we need to shoot this film and now that I am aware of what kind of footage it produces and how it processes light I can now go on and reflect this in my lighting plans.


Sunday, 9 February 2014

A new film, a new script.

Ben Wilson has completed the script. It concerns a man reliving a devastating experience in his life through surreal imagining. Two versions of the same main character are used to explore this persons troubles and duplicity in the events that transpired but also to disorientate the audience, so that they may feel this man's confusion too. The film, mostly, takes place in one room, labeled as a gentlemen's club in the script, but through discussion with Ben (director) and Joeley (art director) it seems the set will be more basic, nearer to a bare room containing the main props. I find this decision  at once a relief and exciting. The bareness to the room obviously makes the organisation aspect easier but also I think having the scene set in a more abstract place will add to the film's subconscious-ness. The room, imagined dark red, is stated to be lit like a Caravaggio, something which further excites me as the lighting in his paintings is very moody and dramatic, something I hope to replicate with the uses of the lighting equipment.



Initial storyboarding has been completed, I have made a rough draft of the whole of the film and how I want the shot flow to look like. Next is to take this initial storyboard plan to the rest of the group to finalise shots and put them onto an 'official' storyboard.