Working with the group

As a group I thought we worked very well and, personally, I thought I was very good at working with everyone as well.

During pre-production I met up with all the group members, whether all together or individually to talk about the designing of the film regarding the points in which our various disciplines crossed over.
The main bulk of these meetings for myself was meeting with Ben and Henry to plan the shots. This we did in very efficient way, bouncing off each other ideas and suggestions to create a storyboard set that we were all happy with.
Meetings with Joeley concerned me finding out as much as I could from Joeley concerning what the set would be like so I could use that information to draw more accurate blocking plans.
Meetings with Georgina concerned me getting nagged to get my work done so that she could create a schedule. I also gave her lists of all equipment I needed and time estimate on how long each shot would take to shoot.
Ben and I met frequently to discuss the look of the film. We both had similar 'Lost Highway-esque' ideas so this was never much of struggle to arrive at a final look.

On set, despite tiredness creeping in later on the week, we all worked very well together and at the end of the period, we had got all we had set out to get. Georgina controlled the timing of the shoot, constantly rescheduling in reaction to how we the filming crew were progressing in real time. Henry and I acted almost as one cinematographer, framing, equipment fetching and lighting in a way that allowed to work very quickly.